It’s my birthday so today I will be brief. There is a springtime out there to be part of. A moment of guaranteed awakening, coming to life and indecisive weather.
I know this time well. In observations that are marked by fresh growth. Snakeshead fritillaries chequered in shiny new grass, celandines blinking open in sunshine and the gold of marsh marigolds illuminating the wet hollows. The blossom trees billowing. Plums in full sail, pears just breaking and the cherries lighting up the still grey woodland.
The Sweet Cherry, or Gean or Mazzard (and Massard) is a tree I have a long relationship with. First encountered in my childhood home, where they had outstripped a long-forgotten garden and towered thirty meters high. We would hug their dark, rough and peeling trunks which by that time were seventy years old and leaning rakishly in their last chapter. The dark limbs and roots running widely over the surface and the light above as the flowering branches flushed palest pink bud and then white against often grey skies. They were the first trees to come crashing down as we cleared the garden, our family spending weekends making inroads into the undergrowth. It was as if they sensed the end of an era and they leant down gently in the night. One first, then another following, without a sound or associated drama.
We have them here as a borrowed view down the valley, youthful trees pushing up though the alder woods which line the stream and provide the cherry blossom with a dusky undercurrent of bruised purple. I planted them in the Blossom Wood in our first winter here. Young whips, navel high and easily identified for their richly red bark and promising buds. Living fast and not for much longer than eighty years, they make a quick presence. Growing vigorously up and forming a pyramid of limbs that make their own space before racing skyward to claim an early loftiness in a young wood. Though the double form Prunus avium ‘Plena’ lasts a whole week longer in bloom, the Gean is brief, but no briefer than the plums. A fortnight of expectation as the buds swell and give way to a week or ten days in a cool April.
Following on in early summer, the fruits, held in drupes and often pairs, ripen early. A dark, rich red and tart enough for you to make the mistake of thinking another day will make them sweeter. The birds will get there first if you do and it is the birds that distribute them and give the tree its specific name, Prunus avium. An April wonder.
Words: Dan Pearson | Photographs: Huw Morgan
Published 10 April 2021
In 1997 I witnessed my first and never to be forgotten hanami. I was in Japan filming a series for Channel 4 and we arrived there at cherry blossom season to witness this important cultural connection to the natural world. The blossom forecast or ‘cherry blossom front’ announced by the weather bureau charted the daily progress as the opening blossom moved up the archipelago, so that parties could be planned in celebration.
We arrived in Kyoto with perfect timing, just as the first buds were beginning to open. The streets in the old town were lined with the sakura trees and the beautifully manicured limbs reached from behind garden walls and dipped down to hover above the pavements. As the week went on and the buds opened, a skim of petals began to pool on the dark water of the tree-lined canals and, with the mounting crescendo of bloom, came the parties of people that gathered under the branches. During the day the sakura made pale, luminous cloudscapes of blossom in the parks. By evening, for the night viewing of yozakura, they were illuminated with lanterns. Picnic blankets, almost touching like towels on a crowded beach, shadowed the canopies of the trees and the Japanese partied with sake and merriment to welcome the spring.
My most memorable blossom viewing was a trip we made to a cherry tree nursery. We had been instructed to visit in the afternoon to look at the trees in the fields and, with perfect timing, at dusk we were escorted to their king tree. This was their most magnificent Yoshino cherry, pruned over decades to form a wonderful canopy of limbs which were illuminated from below by a number of flaming braziers. The flickering light caught the first flower and, as darkness descended beyond the branches, we were held transfixed in a moment of absolute perfection. Sugary pink bud, a scattering of just opened flower and all the promise of what was yet to come in the season’s change. A metaphor for life that everyone there understood. Intense, breath-taking beauty, yet fleeting and ephemeral.
The Yoshino cherry (Prunus x yedoensis) is perhaps my favourite of all cherries and I have made room for one here, so that we too can celebrate the arrival of spring. Last weekend was our equivalent moment, with bud and expectation of flower. Today as I write, it is in full blossom and droning with honeybees. Though it is undoubtedly ornamental, with a live, bright pink to the bud, this rapidly pales as the flowers open. They are single, but massed on elegant growth, which reaches to form a widely-domed tree. I have planted a multi-stemmed tree here by the trough in front of the house so that, for the two weeks that it is in season, it is free to take centre stage. In time its limbs will reach out so that it can be doubly appreciated in the water. First in reflection and then with the petals scattered on the surface.
Although as a general rule I prefer to plant small, I invested in an air-pot grown specimen from Deepdale Trees for this key position. The airpot system encourages a dense and fibrous root system and, as a consequence, results in quick establishment. The Yoshino cherry is well-known for its wind tolerance and so far has done well here with our lack of shelter. Where the habit of some cherries can be stiff, the movement in the limbs and its arching growth make this a supremely elegant tree. It has a second season too with tiny cherries that the birds strip fast when they are ready and, in a good autumn, bright foliage of orange, russet and red.
It is important to dedicate some time to be with the tree when it has this moment. Stopping to look up into the energy caught in the blossom, take in the gentle perfume and the industry of the bees making the most of this early larder, time slows and the abundance and energy of spring are brought sharply into focus.
Words: Dan Pearson / Photographs: Huw Morgan
Published 14 April 2018
The Blossom Wood was one of my first projects here. Plant trees at the beginning of a project and by the time you have started to round the corner, you have time mapped in growth and your efforts rewarded in the satisfaction of being able to stand in the beginnings of their shadow. Such has been the case here and now, in the sixth spring after planting, we can already walk into the corner of our top field and find a place transformed into the start of somewhere new.
The idea behind the little wood was that it be a sanctuary; for birds, insects, mammals and ourselves. The fields were all but empty when we arrived. You could see from corner to corner and there was no shade other than the fingers borrowed from our neighbour’s trees across the stream. The birds had to hop from hedge to hedge and it was quickly clear that we needed somewhere that they could call home on our side of the stream.
Save the occasional hawthorns that have matured into trees where they have been left in the hedgerows, we all but miss the blossom season and the celebration of spring that comes with it. So all the trees and their associated understorey are native and I have aimed for everything (save a handful of field maples, some spindle and an oak or two) to flower conspicuously and then provide berries for autumn.
The site of the Blossom Wood in 2011
Planting the whips in January 2012
The Blossom Wood in spring 2016
The Blossom Wood in 2014
The same view in 2016
The cherry plum, Prunus cerasifera (main image), breaks with winter. The buds, pinpricks of hope, swell at snowdrop time. Early on we picked twigs and, now that they are grown, whole branches to bring into the house to force with willow and hazel catkins. After a couple of days in the warmth they pop, pale on dark twiggery and smelling of almonds. Prunus cerasifera is the parent of the Mirabelle plum, which is the first tree to flower in the plum orchard too. It is so worth this early life, which can sometimes appear in the last week of February, but the trees are always billowing by the middle of March.
Rather than the wood erupting all at once the flowering sequence is staggered and broken so that, from the cherry plum now, until June when the wayfaring tree, guelder rose and sweetbriar are flowering, there is always something to visit. If I had left blackthorn in the mix it would be the next to flower, but I removed them after they showed early signs of running. Better to have them in a hedge that can be cut from both sides and where their tiny sprays of creamy flower appear with the most juvenile pinpricks of green on the breaking hawthorn. The hawthorn and the native Cornus sanguinea are fast and have been used as nurse companions to provide shelter to the slower growing species. I want to see how this place evolves unaided, so have decided not to intervene, but I will probably coppice a number to make some more space if I see anything suffering that I need for the long term.
Cherry Plum – Prunus cerasifera
Wayfaring Tree – Viburnum lantana
Guelder Rose – Viburnum opulus
The wild pear, Pyrus pyraster, is a tree I do not know well but have already learned to love. It flowered for the first time last year, a smattering here and there, but I hope for more this spring. Pear flowers are one of the most exquisite of all spring blossoms, the milky flowers, round and ballooning fat in bud and then cupped and beautifully drawn with stamens. The flowers often occur with the very first leaves, lime green and creamy white together. You can see the trees are going to be something. ‘Plant pears for your grandchildren’ they say, for they take time to fruit and go on to live to a very great age. My youngsters, which I planted with all the other trees as whips, are well over twice my height, stocky at the base and showing stamina.
As spring opens up and first foliage flushes, we have wild gean, Prunus avium, to make the transition from leaflessness. The trees are racing up, bolting visibly with each year’s extension growth and already taller than most in the mix. The flowers are fleeting, lasting just half the time of the beautiful double selection ‘Alba Plena’. The wild gean is beautiful though, whirling at the ends of the branches, the flowers are finely held on long pedicels and dance in the breeze. Next comes the bird cherry, Prunus padus, with long sprays of creamy blossom. I have it on the lower, damper ground where it is happiest.
Wild Pear – Pyrus pyraster
Wild Gean – Prunus avium
Bird Cherry – Prunus padus
Three sorbus follow and come into flower once the wood has flushed with leaf. Rowan (Sorbus aucuparia) with its feathery foliage is planted close to the pears, which will eventually take over. Despite the fact that rowan are said to be long-lived, in my experience, on rich ground and in combination with other species, I have found them to be quick off the mark at first, but affected by the competition later. I wanted to plant whitebeam (Sorbus aria) with the gean because I love the blossom and silveryness of the newly emerging sorbus foliage together. However, now that these trees are maturing and fruiting, I see that I have been mis-supplied with Sorbus x intermedia, a Swedish native. No matter, they are magnificent fruiters, bright scarlet in autumn. The chequer, or wild service, tree (Sorbus torminalis) is the third. Now a very rare tree in the wild, mainly confined to ancient oak and ash woodland, it is a delightful thing, with leaves more like a maple and marble-sized russet fruit that, from medieval times until fairly recently, were bletted and used as dessert fruit (reputed to taste like dates) or to make beer. My young trees are slender and have only just started flowering, but I have a feeling they will become a favourite. I have given them room to fill out and mature without competition.
Rowan – Sorbus aucuparia
My childhood friend Geraldine left me a few hundred pounds in her will when she died and I put it into planting the wood. A naturalist to the core, I know she would approve of this place which is the domain of wildlife and where the gardener is just a visitor. We find ourselves very much the interlopers here when we visit, disturbing flurries of the birds I’d hoped for, and seeing the tell-tale signs of unseen badgers and of deer seeking cover in the soft beds of grass where I have deliberately left a couple of clearings. I know already that I will be cursing them when they become bolder and find the garden, but it is good to see that, in less than a decade, we have a place that lives up to its name.
Words: Dan Pearson / Photographs: Huw Morgan
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